Chanel News

  • By Olivia da Costa
    in COLLECTOR. (Last updated : Thursday, April 5th, 2012)

    POLAROIDS
    BY OLIVIA DA COSTA

    Spring-Summer 2012

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  • By Olivia da Costa
    in COLLECTOR. (Last updated : Tuesday, March 20th, 2012)

    FALL-WINTER 2012/13
    BY OLIVIA DA COSTA

    Photo session after the show
    Zhou Xun captured by Olivia da Costa at 31 rue Cambon

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  • By Olivia da Costa
    in SHOW INSIDER. (Last updated : Thursday, February 2nd, 2012)

    OFF THE CATWALK
    HANDBAGS BY OLIVIA DA COSTA

    Spring-Summer 2012 Haute Couture, Grand Palais, Paris

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  • By Olivia da Costa
    in SHOW INSIDER. (Last updated : Monday, December 19th, 2011)

    THE SPLENDOUR OF AN INDIAN PALACE
    BY OLIVIA DA COSTA

    Amidst a fabulous banquet dripping with all the splendor of a Maharaja’s palace, the Paris-Bombay collection whisked us away to an exquisite India of glittering charms. Stepping into a dream-like fantasy far removed from the fall drizzle of Paris outside, guests were seated by sharply styled butlers at twin banquet tables laden with silverware, crystal, gold-leaf gilded fruit, and desserts piled high. A metal toy train paraded the Chanel logo as it wove its way through rose petals and garlands of jasmine.
    Models sashayed forth in pearl-beaded tweed, silk tunics, brocade, saris and wraps, their foreheads, hands, hair and shoulders strewn with jewels. These Amazons of the East embody the utter refinement of the Métiers d’Art collection, a tribute to the master craftsmanship of artisans.

    Photos © Olivia da Costa

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  • By Olivia da Costa
    in SHOW INSIDER. (Last updated : Monday, October 10th, 2011)

    OFF THE CATWALK
    HANDBAGS BY OLIVIA DA COSTA

    Spring-Summer 2012 Ready-to-Wear, Grand Palais, Paris

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  • By Olivia da Costa
    in COLLECTOR. (Last updated : Wednesday, September 7th, 2011)

    SETUBAL, PORTUGAL, 10 AM

    Photo by Olivia da Costa
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  • By Olivia da Costa
    in ARCHIVES. (Last updated : Monday, May 7th, 2012)

    FROM BYZANTIUM TO ISTANBUL
    BY OLIVIA DA COSTA

    A tribute to the ancient Imperial capital, the Paris-Byzance collection combines French couture tradition with Ottoman magic, bridging the gap between past and present, Occident and Orient. Istanbul – a crossroads, swarming metropolis and a city of striking contrasts with its mosques, secular neighborhoods, high-flying jet-setters and high-tech – has been chosen by Chanel for another showing of its Métiers d’Art collection following the official December presentation, which took place in the Chanel salons on Rue Cambon, Paris. The venue is a white marble terrace at the Ciragan Palace, a former residence of a sultan. It offers a place to admire the Bosphorus, lulled by the regular sound of the waves. The Bosphorus is everywhere: a part of the city and a stimulating yet soothing presence.

    At nightfall, it is time to go inside the palace where the show’s backstage area has been set up. Beneath Murano-glass chandeliers – no doubt reminders of the sultan’s lavish lifestyle – the girls are being prepared with chignons worn very high on the head and eyes rimmed in black and red eyeliner. Models are standing in the wings dressed in tweed chasubles with hints of gold, velvet harem pants or draped chiffon dresses, all of Byzantine inspiration. Outside, the anticipation is building. The intelligentsia and local press start to arrive. The women all look very beautiful and elegant tonight, in lots of black and outrageously high heels. Kirsten Dunst, Élodie Bouchez and Cécile Cassel arrive. The show starts and the models descend the majestic staircase with an air of nonchalance. A steady ballet featuring these Imperial sylphs is played out. The girls walk by, only centimeters from the audience comfortably installed on sofas and cushions. The spectators, who are so close they can almost touch the garments, get a good look at the embroidery, braiding and wrought-gold buttons.

    The last model completes her run. The show is over and the elegant women of Istanbul are thrilled. After a glass or two of champagne, all the guests melt back into the steady bustle and traffic of a city that never sleeps.

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  • By Olivia da Costa
    in ARCHIVES. (Last updated : Monday, May 7th, 2012)

    A RIVIERA DREAM
    BY OLIVIA DA COSTA

    Early evening at the Hotel du Cap: the sun shimmers on the waves below, the models tread the long, tree-lined path leading to the “Château”. Their silhouettes are simple, their diamonds sparkle with the last rays of the sun, the luster of their pearls glows against their garments. An ethereal dream of an ultra chic Cruise show, where mischievous tomboys meet femmes fatales holding sway over submissive Gatsbys. Karl Lagerfeld transports us to the legendary era of the Riviera, an era of rivers of diamonds, of Russian princes, of stylish aristocrats who came to sample the delights of the seaside in magnificent beachfront villas.

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