Françoise-Claire Prodhon

  • March 5th, 2014
    Par Françoise-Claire Prodhon

    FALL-WINTER READY-TO-WEAR
    BY FRANÇOISE-CLAIRE PRODHON

    Chanel Shopping Center provided the backdrop for Chanel’s 2014/15 Fall-Winter Ready-To-Wear collection. The sprawling supermarket, constructed for the occasion beneath the glass roof of the Grand Palais, made for a tongue-in-cheek setting that evoked the consumerist culture imagery of Pop Art as well as the concept of easy everyday luxury. On arrival, the 3,400 guests browsed shelves stocked with goods renamed and packaged especially for the show –
    Chanel-branded beverages, groceries, fresh produce and home improvement supplies – before taking their seats as the 79 models began their sweep through the aisles.

    Karl Lagerfeld’s collection resonates with his resolutely modern take on the Chanel vocabulary, electrified by a distinctly urban vibe. Sneakers are the footwear of choice, paired with blazers, dresses and coats, and in knee-high lace-up boot hybrids; the models, freed from heels, had a definite spring in their step. Showcasing lively looks and slender silhouettes, the collection riffs on the richness of colors and fabrics. Color is everywhere: in the muted tones of soft tweeds, in the bright monochrome tints of a palette of salad green, carrot orange, beet pink, and lemon yellow, in the contrasting tones of stunning geometric prints reminiscent of early 20th-century avant-garde art, and shimmering across lamé and iridescent knitwear. Black, bright silver and pewter bring clean-cut definition to these silhouettes. Tweed is featured in overcoats and oversized three-quarter-length coats, as well as starkly cut dresses and blazers. Blazers composed of four to five sections serve to define waistlines accentuated by modern zipped corsets; blazers, like dresses, are paired with slim-fit pants and leggings to create a streamlined silhouette while allowing a glimpse of the ankle. The silhouettes of the collection alternate effortless elegance with sporty looks and pared-down lines: sumptuous clean-lined trapeze and bouclé coats in quilted fabrics, short jackets in braided leather, trompe l’œil dresses, and flowing blazers with contrasting braiding. Fun accessories cheekily complete the collection: chain necklaces with metal or tweed padlocks stamped with the double C logo, cascades of pearls knotted around the neck like scarves, tweed sunglasses, black patent quilted leather shopping carts, and small purses.

    Photo by Olivier Saillant

  • January 24th, 2014
    Par Françoise-Claire Prodhon

    SPRING-SUMMER 2014 HAUTE COUTURE
    BY FRANÇOISE-CLAIRE PRODHON

    Minimalist staging set the tone for the Chanel Spring-Summer 2014 Haute Couture show. Beneath the domed glass ceiling of the Grand Palais, a stage consisting of glowing white walls and polished steel panels revealed a large staircase from which models emerged at the show’s opening. Within this nightclub atmosphere musician Sébastien Tellier, dressed in a blue and pink suit, was accompanied by a white-clad orchestra.

    Karl Lagerfeld excels in the art of giving Haute Couture a modern vibe. Conveying a feeling of youth, freedom and lightness with a collection free of superfluous details, its luxury lies in its exquisitely refined materials and elegant clean cuts. Although pure lines are already an essential part of Chanel's vocabulary, they were enhanced by the freshness and fluidity reflected in each one of the collection's 64 looks.

    Karl Lagerfeld revealed new proportions for the Chanel suit. Silhouettes were corseted and cinched at the waist, accentuated by cropped jackets and drop-waisted skirts. Accessories took center stage with this structured yet relaxed line, which featured elbow pads, knee pads and fanny packs exuding an urban chic spirit. Woven and sometimes embroidered tweeds, light tones (ranging from pure white to ivory, powdery pink to orange-pink and cotton candy, pearly or iridescent grays, mauve and lamé) softened the graphic silhouettes by adding a fresh touch. From flowing gowns to long narrow jackets worn with skinny cropped trousers, Karl Lagerfeld lightened the mood of this collection even more by pairing each look with matching sneakers, evening wear included.

    This sublime footwear reflected the same fluidity, a simplicity of lines showcased by the lightness of transparent materials such as chiffon, lace and tulle, as well as airy fabrics sometimes embroidered with sequins or adorned with feathers studded with metallic details. Evening gowns rose to new heights by revealing the ankle. Once again, Karl Lagerfeld selected fresh colors for his gowns in shimmery or iridescent tones that reflected light, with dramatic black making a few select appearances.

    Sketch by Karl Lagerfeld

  • January 30th, 2013
    Par Françoise-Claire Prodhon

    CULTURE CHANEL
    AT THE GUANGZHOU OPERA HOUSE

    The newest chapter in “Culture Chanel” is based on an exceptional loan from the Victoria and Albert Museum in London, Picasso's spectacular stage backdrop entitled Le Train Bleu (1924). Following two exhibitions of the same name (one held at the National Museum of China in Beijing, and the other at the Museum of Contemporary Art in Shanghai), Chanel is partnering with the Guangdong Museum of Art to host an exhibition at the Guangzhou Opera House, a prestigious building designed by the architect Zaha Hadid. "Designed to retell various chapters of the same story, “Culture Chanel” seeks to reveal Gabrielle Chanel's unique journey with Chanel,” explained Jean-Louis Froment, who has been commissioned to curate these exhibitions.

    For this chapter, Sergei Diaghilev's ballet serves as the backdrop for the exhibition, a ballet named after Le Train Bleu (The Blue Train), and a luxury overnight train that first began operation in December 1922 and carried passengers from Paris to the French Riviera. It symbolizes the yearning for leisure and travel that was prevalent at this time. Diaghilev considered Le Train Bleu more of an operetta to be danced than a ballet. It was presented for the first time in Paris in June 1924, featuring music by Darius Milhaud, a libretto penned by Jean Cocteau, scenery designed by Henri Laurens and a stage backdrop and program created by Pablo Picasso. Gabrielle Chanel, who was in charge of costume design, created sporty jersey garments for this avant-garde ballet that echoed her vision of fashion at the time. The protagonists of this project would remain close, faithful collaborators with Gabrielle Chanel for the rest of her life. "These are the artists who led Gabrielle Chanel to consider her work as art, which helped her transition from the concept of fashion to that of style,” emphasizes Jean-Louis Froment. This thought process inspired Gabrielle Chanel to create a language that was both modern and timeless, which is illustrated brilliantly through the display cases filled with both her designs and designs by Karl Lagerfeld.

    The exhibition decrypts Chanel style by focusing on five major themes: Breathe, Move, Love, Dream and Invent, which culminate with the monumental stage backdrop by Picasso. The world of Chanel comes to life with 400 works on display in a diaphanous and elegant setting. These include artwork (including approximately 30 drawings by Picasso), photographs, books from Gabrielle Chanel's personal library, films, couture pieces by both Gabrielle Chanel and Karl Lagerfeld, jewelry, watches and perfumes.

    Françoise-Claire Prodhon

    www.culture-chanel.com

    Guangzhou Opera House
    No 1, Zhujiang Xi Lu, Zhujiang New Town, Tianhe District,
    510623 Guangzhou, China
    Opening hours: 10am-7pm Monday to Sunday
    Free entrance
    January 16 - March 3, 2013

    Painting © Succession Picasso 2013, Victoria and Albert Museum, London