savoir-faire

  • December 9th, 2016
    INSIDE THE MAISONS D’ART

    INSIDE THE MAISONS D’ART

    Paris Cosmopolite 2016/17 Métiers d'Art collection.

  • July 8th, 2016
    MAKING THE FALL-WINTER <BR />HAUTE COUTURE COLLECTION

    MAKING THE FALL-WINTER
    HAUTE COUTURE COLLECTION

  • June 9th, 2016
    MÉTIERS D'ART KNOW-HOW <BR />1. TWEED AND EMBROIDERIES

    MÉTIERS D'ART KNOW-HOW
    1. TWEED AND EMBROIDERIES

    It all starts when Karl Lagerfeld sketches his collection. The drawings are then made up, creating ongoing discussions between the Studio, the ateliers and the Maisons d'Art.

    The Lemarié Atelier
    Using a sample approved by the Studio, the design is created on tracing paper. Flowers and leaves are cut from leather and little squares from tweed and lace. These are then arranged, sewn in place and embellished with rhinestones.

    The Chanel Ateliers
    The embroidered lace is sent back to rue Cambon to be assembled. The cape and the dress are tried on a wooden tailor's dummy to check that the proportions and the silhouette are in line with Karl Lagerfeld's original vision.

    Karl Lagerfeld's Studio
    The cape and the dress are then accessorised. Finally, the look is subject to approval by Karl Lagerfeld during the final fitting a few days before the show.

    The Paris in Rome Métiers d'Art collection is available in boutiques.

    © Anne Combaz

  • June 8th, 2016
    MÉTIERS D'ART KNOW-HOW <BR />2. MARBLE EFFECT FEATHERS

    MÉTIERS D'ART KNOW-HOW
    2. MARBLE EFFECT FEATHERS

    The feathers on the skirt were reworked before being appliqued onto the crepe georgette, while those on the top were painted to resemble marble then re-cut and sewn onto the organza in the Lemarié ateliers.

    For the silhouette of this piece from the Paris in Rome 2015/16 Métiers d'Art collection, Karl Lagerfeld played with contrasts, combining the lightness of black feathers with a powerful visual effect of white veined marble.

    © Anne Combaz

  • June 7th, 2016
    MÉTIERS D'ART KNOW-HOW <BR />3. PEARLS, LACE AND LEATHER

    MÉTIERS D'ART KNOW-HOW
    3. PEARLS, LACE AND LEATHER

    "About a month and half before the collection I give the first sketches to the ateliers. The people with whom I work know exactly how to interpret my sketches. A design is never discordant with what I have asked for… but sometimes, when it comes to the fittings, I change my mind, I have new ideas, so we make changes and we start again. There is always a creative dynamic between the Studio and the expertise of the artisans and the Chanel ateliers who work on my collections. Gradually the silhouette evolves, the embroideries, the details, the finishes and the flowers take on a new dimension", Karl Lagerfeld.

    © Anne Combaz

  • May 30th, 2016
    PHARRELL WILLIAMS <BR />MÉTIERS D'ART ATELIERS VISIT

    PHARRELL WILLIAMS
    MÉTIERS D'ART ATELIERS VISIT

    The american singer and producer visited Chanel's Maisons d'Art in Pantin last March, a few days after the Fall-Winter Ready-to-Wear show at the Grand Palais.

    He discovered the traditional craft skills of the Maison Lesage ateliers, featherworkers and flower specialists Lemarié, pleating experts Lognon, shoemakers Massaro, and milliners Maison Michel. During his tour of the workshops, Pharrell Williams watched pieces being made for the Paris in Rome 2015/16 collection.

  • March 15th, 2016
    EYEWEAR SPIRIT

    EYEWEAR SPIRIT

  • January 29th, 2016
    MAKING THE SPRING-SUMMER HAUTE COUTURE COLLECTION

    MAKING THE SPRING‑SUMMER HAUTE COUTURE COLLECTION

  • January 24th, 2016
    SAVOIR-FAIRE D’EXCEPTION CHAIR 
<BR />ESSEC BUSINESS SCHOOL

    SAVOIR-FAIRE D’EXCEPTION CHAIR 

    ESSEC BUSINESS SCHOOL

    The ESSEC and the Château de Versailles signed a partnership agreement last Friday to launch the Savoir-Faire d’Exception ("Exceptional Savoir-Faire") Chair with the support of the Maison Chanel and other key players in the luxury goods sector. 


    As part of an effort to foster French excellence, this agreement will create student internships at the Château de Versailles. Specific modules will also be organized to develop careers in the field of culture and art management. Furthermore, the promotion of French expertise will be expanded in the Asia‑Pacific region thanks to the existing campus based in Singapore. The creation of this new Chair will include approximately twenty students and begin with the 2016 academic year
.

    For Bruno Pavlovsky, President of Fashion Activities at Chanel: "Chanel’s commitment to preserving the master crafts, and the craftsman who are our historical partners, with their unique cultural and artistic heritage (...) has made it possible to sustain and transfer the exceptional know-how of the different ateliers while also stimulating creation and innovation." "It is essential for us to continue developing and enhancing this patrimony", he added.


    © Anne Combaz

  • January 15th, 2016
    ROBERT GOOSSENS

    ROBERT GOOSSENS

    Robert Goossens (1927‑2016), goldsmith and jeweler, was a master craftsman with a rare talent and a genuine passion for his art.

    When Gabrielle Chanel met Goossens in 1953, she was enchanted by his Baroque-style creations inspired by ancient jewelry in particular Byzantine and Egyptian.
    When he revealed his creations influenced by Barbarian, Visigoth, and Etruscan jewelry, her immediate response was, "They are magnificent - if people ask where they came from we will say the excavations at rue Cambon!" She went on to commission furniture, chandeliers and mirrors from Goossens for her Paris apartment at 31 rue Cambon.

    Robert Goossens produced for all the major fashion designers and could work wonders with any material, from metal, stone, and leather to rock crystal, ivory, tortoiseshell, enamel and wood.
    He also taught his craft to his children. Patrick creates jewelry, while Martine specializes in decorative art pieces and all their work is hand-made.

    © All Rights Reserved. Maison Goossens, 1990

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