• March 26th, 2015
    THE GIRL CHANEL <BR />SASHA, PARIS

    THE GIRL CHANEL
    SASHA, PARIS

  • March 16th, 2015
    DETAILS OF THE COLLECTION <BR />SPRING-SUMMER 2015 READY-TO-WEAR

    DETAILS OF THE COLLECTION
    SPRING-SUMMER 2015 READY-TO-WEAR

    The collection is now available in boutiques.
    More information on chanel.com

  • March 12th, 2015
    THE NEW PEARL NECKLACE

    THE NEW PEARL NECKLACE

    Fall-Winter 2015/16 Ready-to-Wear collection

    Photo by Benoit Peverelli

  • March 12th, 2015

    BACKSTAGE

    Fall-Winter 2015/16 Ready-to-Wear show

    Photos by Benoit Peverelli

  • March 12th, 2015
    Par Anne Combaz
    THE MOSAIC EMBROIDERY

    THE MOSAIC EMBROIDERY

    Fall-Winter 2015/16 Ready-to-Wear collection

    Photo by Anne Combaz

  • March 12th, 2015
    THE BOMBER JACKET

    THE BOMBER JACKET

    Fall-Winter 2015/16 Ready-to-Wear collection

    Photo by Benoit Peverelli

  • March 12th, 2015
    Par Françoise-Claire Prodhon
    THE FRENCH COLLECTION

    THE FRENCH COLLECTION

    The Fall-Winter 2015/16 Ready-to-Wear collection was unveiled within a bistro environment designed by Karl Lagerfeld which he named the "Brasserie Gabrielle". This larger-than-life "brasserie," an institution that has long embodied the Parisian lifestyle, was constructed inside the Grand Palais and perfectly conveyed the spirit of the collection.
    Using vocabulary that its creator deemed "very French," this "French Collection" reinterprets the wardrobe of a modern "bourgeoise," a woman who exudes Parisian chic and cosmopolitan culture, who could grace the streets of any major city around the world. The "new bourgeoise,” as dubbed by Karl Lagerfeld, is accessorized day to night in beige and black slingback shoes with a squared heel. This is the first time since the designer's arrival at Chanel that he has explored this iconic shoe, of which he revamped its proportions. All 97 models of the collection wore these two-tone shoes, which make the legs look thinner and bestow a woman with confidence.

    The silhouettes ranged from extremely feminine to sometimes androgynous, in colors such as navy, gray and burgundy and in prints such as tartan or houndstooth. The common thread of the collection was Chanel's emblematic tweed, which was reinvented in the form of zipped or preciously buttoned up coatdresses trimmed with woven braid. It also manifested in pencil skirts cut just below the knee or at calf-length, elegant suit-jackets and large wool coats, in jackets “à berthe” or with large collars, and in flowing skirts. The subtly flared silhouettes were fitted at the waist with a skinny belt. Urban and all about comfort, the elegant models wore bomber jackets whose fronts were reminiscent of a Chanel jacket, skirt suits or quilted coats, and embroidered parkas elevated to the status of an evening coat. Knit was omnipresent in both sporty and sophisticated styles with jacquard print sweaters paired with tweed skirts, oversized off-the-shoulder sweaters, elegant two-toned A-line dresses and long evening gowns.

    Very striking, more androgynous silhouettes passed by in short box coats that revealed white shirts and plastrons, as well as long grosgrain-belted aprons tied nonchalantly around the waist. These simultaneously seductive yet casual aprons were paired with jeans, slim-cut leather pants or tweed dresses in the style of a neo three-piece suit. For evening, the looks were elegant and vibrant, including little black chiffon dresses, a trompe-l’œil two-piece suit with a bow tie and brilliant details inspired by folded brasserie napkins, transparent and layered effects, lace skirts and dresses, and spectacular skirts painted with feathers paired with woolen cardigans that revealed maxi sleeves also with feathers.

    Françoise Claire Prodhon

    Photo by Olivier Saillant

  • March 11th, 2015

    CELEBRITIES AT THE GRAND PALAIS

    Fall-Winter 2015/16 Ready-to-Wear show, March 10th, Grand Palais, Paris.

    Photos by Anne Combaz

  • March 11th, 2015
    THE VIDEO OF THE SHOW

    THE VIDEO OF THE SHOW

    Fall-Winter 2015/16 Ready-to-Wear collection
    Grand Palais, Paris

  • March 11th, 2015
    THE TWO-TONE SHOE

    THE TWO-TONE SHOE

    For this Fall-Winter 2015/16 Ready-to-Wear show, every model wore a beige shoe with a black toe, squared heel and revisited proportions: “It’s become the most modern of shoes and makes beautiful legs,” Karl Lagerfeld explained.

    Mademoiselle called them pumps. "They are the final touch of elegance" she used to say. To perfect the silhouette that Gabrielle Chanel introduced to the world, it was necessary to create a shoe that went with any outfit, one that was elegant, could be worn morning to night, and was suited to the new lifestyle of women.
    In 1957, Mademoiselle Chanel created the two-tone slingback shoe in beige and black. It created a highly graphic effect: the beige lengthened the leg while the black shortened the foot. Whereas shoes had previously been made in a single color that matched the color of one's clothing, Mademoiselle Chanel once again overturned the codes of fashion by pairing beige and black with all outfits. In her words, "You leave in the morning wearing beige and black, you have lunch in beige and black, and you attend a cocktail party wearing beige and black. You're dressed for the entire day!" Chanel's slingback shoe experienced instant success. It varied in style, offering versions with a straighter or thinner heel and a rounded, square or pointed toe. Mademoiselle Chanel improved its comfort with the help of Massaro (which has remained Chanel's custom shoe brand to this day) by adding an elastic strap. Located "just steps away from Rue Cambon," the Massaro workshop continues to create all of the footwear creations for Chanel's Haute Couture and Métiers d’Art collections. Starting with his very first collection, Karl Lagerfeld has channeled his talent to modernize this model. The two-tone shoe thus lends itself to a myriad of metamorphoses. In just one season, it may be transformed into a ballerina slipper, boot or sandal without losing any of its original spirit.

    © Photo Philippe Garnier / Elle-Scoop

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