• January 26th, 2016

    THE GUESTS

    Spring-Summer 2016 Haute Couture show.
    Grand Palais, Paris.

    © Anne Combaz

  • January 26th, 2016
    THE SHOW DECOR

    THE SHOW DECOR

    The Spring-Summer 2016 Haute Couture collection was presented at the Grand Palais in a set imagined by Karl Lagerfeld, consisting of a wooden house surrounded by a minimalist garden.

    © Olivier Saillant

  • January 26th, 2016

    MAKING OF THE PRESS KIT

    Photo shoot in Paris by Karl Lagerfeld for the Spring-Summer 2016 Haute Couture collection.

    © Olivier Saillant

  • January 26th, 2016
    HAUTE COUTURE SILHOUETTE

    HAUTE COUTURE SILHOUETTE

    Spring-Summer 2016 Haute Couture press kit photographed by Karl Lagerfeld. See the photos on chanel.com

  • January 25th, 2016
    THE LANDMARKS OF HAUTE COUTURE, <BR />PARIS


    THE LANDMARKS OF HAUTE COUTURE,
    PARIS


    Haute Couture is quintessentially Parisian. It was born in the quarter around the rue de la Paix where Charles‑Frédéric Worth founded his dressmaking salon in 1858. By transforming the couturier from a "supplier" into a "creator" he was the first to present his clients with actual collections on living models in luxurious salons.
    At that time, Paris already had a reputation as the world's capital of elegance and was bursting with small businesses dedicated to the art of couture (embroiderers, feather workers, button, shoe and glove makers and milliners…).

    

Although Gabrielle Chanel opened her first Maison de Couture in Biarritz in 1915, she moved to rue Cambon in Paris, in 1918. By the end of the 1920’s, the address had expanded to include N°s 23, 25, 27, 29 and 31. The legendary 31, rue Cambon is now solely dedicated to Haute Couture. All of the collections and orders for Haute Couture are without exception created in this historical building.

    © Anne Combaz

  • January 25th, 2016
    THE STAIRS

    THE STAIRS

    Everyone knows the Art Deco staircase lined with mirrors where Gabrielle Chanel sat, unseen, to observe the reactions of the audience as each of her collections was presented.
    Like a symbolic backbone, this central axis links the Haute Couture salons on the first floor to the creator's apartment on the second.

    As discreet as the salons are sumptuous, the apartment is not alone, there are other equally strategic places in the labyrinth of the House of Chanel, from Karl Lagerfeld’s studio to the Haute Couture ateliers.
    At each different stage of a creation, and each time it is necessary to make an adjustment to a piece or to have a fitting, it is not unusual to see the heads of the ateliers emerge from the workshop, their arms full with their precious creations.

    © Olivier Saillant

  • January 24th, 2016
    SAVOIR-FAIRE D’EXCEPTION CHAIR 
<BR />ESSEC BUSINESS SCHOOL

    SAVOIR-FAIRE D’EXCEPTION CHAIR 

    ESSEC BUSINESS SCHOOL

    The ESSEC and the Château de Versailles signed a partnership agreement last Friday to launch the Savoir-Faire d’Exception ("Exceptional Savoir-Faire") Chair with the support of the Maison Chanel and other key players in the luxury goods sector. 


    As part of an effort to foster French excellence, this agreement will create student internships at the Château de Versailles. Specific modules will also be organized to develop careers in the field of culture and art management. Furthermore, the promotion of French expertise will be expanded in the Asia‑Pacific region thanks to the existing campus based in Singapore. The creation of this new Chair will include approximately twenty students and begin with the 2016 academic year
.

    For Bruno Pavlovsky, President of Fashion Activities at Chanel: "Chanel’s commitment to preserving the master crafts, and the craftsman who are our historical partners, with their unique cultural and artistic heritage (...) has made it possible to sustain and transfer the exceptional know-how of the different ateliers while also stimulating creation and innovation." "It is essential for us to continue developing and enhancing this patrimony", he added.


    © Anne Combaz

  • January 23rd, 2016
    EDMONDE CHARLES-ROUX

    EDMONDE CHARLES-ROUX

    Member of the Resistance, journalist and author, Edmonde Charles‑Roux, who was born in 1920 and died a few days ago, was one of the pioneers of French women's magazines in the postwar period.

    After participating in the creation of "Elle" magazine in 1946, this woman of character, commitment and talent climbed the publishing ladder of French "Vogue" before becoming the Chief Editor in 1954.
    ​​Her first published novel, "To forget Palermo" in 1966, was a resounding success, since the novel won the Prix Goncourt. This was the beginning of a brilliant literary career that led her to enter the Académie Goncourt in 1983 before chairing it from 2002 to 2014.

    It is of course no coincidence that the novelist, in love with fashion, devoted two books to Gabrielle Chanel. Upon meeting in 1954, the two women immediately felt that they shared an independent spirit and strength of character that drove them to build the lives they chose for themselves. It is as if Edmonde had found in the fashion designer the self-confidence that she still lacked, the figure she had just outlined. The young reporter decided to adopt a Chanel suit and pearl necklace, an outfit she wore for years. "You have a style, that of the peasant women of Arles, do not move from that, do not cut your hair" Gabrielle still advised her.

    In "Chanel and her world", a work of reference, she pays tribute to Coco’s creative genius, but in "L’Irrégulière" (The Misfit), she retraces the designer’s unique destiny: that of a woman in charge of a huge company that was a lightning rod for an entire period. And yet throughout her life, the designer had been a “misfit” by bourgeois conventions. Which in a sense Edmonde was a bit herself.

    © Robert Doisneau/Rapho

  • January 21st, 2016
    HAUTE COUTURE

    HAUTE COUTURE

    "Haute Couture is the extreme luxury. It is perfection with a unique personality. It has to do with patience and with modern and current times. Haute Couture is a maximum symbol of artisan’s refinement and beauty. This is the beauty and the magic of it." Karl Lagerfeld

  • January 19th, 2016
    KIRSTEN DUNST <BR />LOS ANGELES, JANUARY 17TH

    KIRSTEN DUNST
    LOS ANGELES, JANUARY 17TH

    Named Best Actress at the 2016 Critics’ Choice Awards for her role in the series "Fargo", Kirsten Dunst wore a dress from the Fall‑Winter 2015/16 Haute Couture collection. This annual ceremony presented by the Broadcast Film Critics Association (BFCA) honors the year’s best films and TV series.

    © Steve Granitz/Getty Images

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