• 22 de julio de 2015
    LILY-ROSE DEPP, <BR />IMAGEN DE LA CAMPAÑA DE GAFAS <BR />OTOÑO-INVIERNO 2015/16

    LILY-ROSE DEPP,
    IMAGEN DE LA CAMPAÑA DE GAFAS
    OTOÑO-INVIERNO 2015/16

  • 21 de julio de 2015
    EL BOLSO GIRL CHANEL <BR />LILY COLLINS, PARIS

    EL BOLSO GIRL CHANEL
    LILY COLLINS, PARIS

    The "Girl Chanel" handbag in black and beige leather, carried by the British‑American actress, face of Barrie Knitwear.

  • 20 de julio de 2015
    <BR />


  • 17 de julio de 2015

    HAUTE COUTURE & 3D TECHNOLOGY FALL-WINTER 2015/16 COLLECTION

    For the Chanel Fall-Winter 2015/16 Haute Couture collection, Karl Lagerfeld reinvents the classic Chanel suit. “The idea was to take the most iconic jacket from the 20th century and turn it into a 21st century version, which technically was unimaginable in the period when it was created," explains the designer.

    In place of fabric and stitches, the jacket’s structure is produced using 3D printing, in one piece, with a supple texture. Serving as a canvas for the “petites mains” of the Chanel ateliers, the jacket’s openwork “cage” of padded quilting is then embellished with sequin embroidery and braiding.

    Photos by Anne Combaz

  • 14 de julio de 2015
    1. THE EMBROIDERY <BR />MAKING OF A HAUTE COUTURE LOOK

    1. THE EMBROIDERY
    MAKING OF A HAUTE COUTURE LOOK

    The sketch is initially interpreted in the form of a toile and reproduced in the fabrics chosen by the Studio.

    Using a sample, the design is created first on tracing paper according to the pattern provided by the House ateliers.

    The lace and the silk tulle are positioned onto an embroidery frame and then the embroidery is done using the Luneville technique: this technique is executed on the underside of the fabric on an embroidery frame with one hand holding the hook and the other beneath the frame moving the tubes forward.

  • 14 de julio de 2015
    2. THE ASSEMBLING

    2. THE ASSEMBLING

    The pieces completed by the Lesage ateliers are sent to the Chanel ateliers so the seamstresses can start the assembling of the model.

    The dress and the underslip are then adjusted on a mannequin to check that the proportions and silhouette as imagined by Karl Lagerfeld are respected.

  • 14 de julio de 2015
    3. THE FITTING

    3. THE FITTING

    Final fitting in the Studio, 29 rue Cambon, the day before the show.

  • 14 de julio de 2015
    4. BACKSTAGE

    4. BACKSTAGE

    A few seconds before the show at the Grand Palais.

  • 14 de julio de 2015
    5. THE SHOW <BR />LOOK N°54

    5. THE SHOW
    LOOK N°54

    July 7th 2015, Paris.

  • 13 de julio de 2015

    LOS INVITADOS DE KARL LAGERFELD

    Desfile Alta Costura Otoño-Invierno 2015/16

    Fotos por Anita Leung, Anne Combaz y Olivier Saillant

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