• 25 luglio 2014

    MAKING OF DELLA CAMPAGNA
    COCO COACH - IL FILM

  • 25 luglio 2014

    COCO COACH
    LA CAMPAGNA AUTUNNO-INVERNO 2014/15

    Foto della campagna Prêt-à-Porter Autunno-Inverno 2014/15 by Karl Lagerfeld con le modelle Cara Delevingne e Binx Walton.
    Collezione disponibile in boutique a Settembre.

  • 23 luglio 2014

    "SECOND FLOOR"
    BY SAM TAYLOR-JOHNSON

    "Second Floor", la mostra fotografica di Sam Taylor-Johnson sull’appartamento privato di Mademoiselle Chanel, sarà inaugurata Venerdì 12 Settembre 2014 presso la Saatchi Gallery di Londra e rimarrà aperta fino a Lunedì 22 Settembre. Le 45 fotografie esposte ritraggono le stanze private di Mademoiselle Chanel, al n. 31 di rue Cambon, a Parigi.
    "Fotografare l'appartamento di Coco Chanel è stata un'esperienza più entusiasmante di quanto potessi immaginare", ha dichiarato Sam Taylor-Johnson. "L'essenza di Chanel è profondamente radicata in tutti i suoi oggetti personali che si trovano lì. Sono convinto che il suo spirito e la sua anima abitino ancora il secondo piano".

    Saatchi Gallery, Duke of HQ King Road York
    Londra, SW3 4RY
    ingresso libero

  • 17 luglio 2014

    MAKING-OF DELLA COLLEZIONE HAUTE COUTURE
    IL FILM

    Autunno-Inverno 2014/15

  • 16 luglio 2014

    PRIVATE VIEW BY KARL LAGERFELD
    PRE-COLLEZIONE AUTUNNO-INVERNO
    IL FILM

    Karl Lagerfeld presenta i modelli della pre-collezione Autunno-Inverno 2014/15 nel film Private View. Protagoniste Amanda Harlech e le modelle Jamie Bochert, Lindsey Wixson, Soo Joo et Nadja Bender.

    L'intera collezione è su chanel.com

  • 16 luglio 2014

    PRIVATE CONCERT BY VANESSA PARADIS

    Clip from the singer's concert on July 9th held at the Trianon venue in Paris.

    "Love Song" (Live). Composer/Author: Benjamin Biolay. Author/Performed by: Vanessa Paradis. Producer: Bamabi Rose, Bliss Music. Label: Universal Barclay. Mixed by Dominique Brusson, assisted by Thomas Poli, at Impersonal Freedom Studio (Rennes).

  • 16 luglio 2014

    INTERVISTA ALLE CELEBRITIES

    Prime impressioni raccolte dopo la sfilata Haute Couture Autunno-Inverno 2014/15 a Parigi.
    Interviste di Natasha Fraser-Cavassoni

  • 13 luglio 2014

    FINALE DELLA COPPA DEL MONDO 2014

  • 11 luglio 2014
    Par Anne Berest

    FALL-WINTER 2014/15 HAUTE COUTURE
    BY ANNE BEREST

    The bride treads over the immaculate ground in her sandals - entering the Grand Palais as if it was a church. The gold sandals are flat but her dress is huge.... with an endless train. Ashleigh Good takes each step forward almost barefoot, like a virgin dressed in white. She gives a slight turn to grant spectators a view of her pure, pale face, like a modern day Virgin Mary.
    And suddenly, before wide-eyed spectators, a dramatic bump appears: the bride is pregnant! Her belly, like a full moon, is enhanced by the movements of the white fabric - an Empress-style dress in neoprene.

    A pregnant woman in a virginal dress: it is a striking statement. This is how Karl Lagerfeld concludes the Haute Couture Fall-Winter 2014/2015 fashion show. It is not a question of "provocation" but rather the idea of "provoking something". Whether it be surprise, questioning or emotion. What does it say to us? That life is surprising, with the unexpected constantly springing up around every corner. And most importantly, that a woman's forms cannot be fully erased. It takes curves to give life. On the arm of the fashion designer, the bride transformed into the metaphor of creation: that of an impending birth.

    It is difficult to say why the sudden view of a dress can sweep you away and resonate deep within you. It is a combination of a thousand things, conscious and buried - because a dress in reality is a thousand dresses. And this morning, Karl Lagerfeld's bride was a thousand women.

    She was Mary Magdalene, the sinful woman. She was the medieval bride painted by Van Eyck, with her skin skimming sleeves emphasizing the fragility of the arm. She was the Empress Josephine, crowned by her husband, revealing her graceful white dress adorned with gold embroidery and lined with ermine. But above all, she was the Italian Renaissance Woman, throat bare, a cone-shaped torso refining the waist. A clear, natural line liberating the silhouette of the woman, giving the torso the majestic shape of a triangle.

    Going back through the ages, the wedding dress worn by Ashleigh Good was nevertheless an absolute innovation. Made of neoprene, the material used for diving suits, this fabric allows the dress to be sculpted on a mold, without sewing it. "Seamless Haute Couture"... is that not the ultimate sophistication? Yes, an incredible delicacy, which consists in erasing every form of intervention to create a dress as perfect as the skin of a newborn baby.

    Anne Berest is a writer. She is the author of "Sagan 1954", published by Stock, and co-author of "How to be a Parisian. Love, Style and Bad Habits" to be published by Double Day next September.

    Photo by Benoit Peverelli


  • 10 luglio 2014

    BACKSTAGE

    Sfilata Haute Couture Autunno-Inverno 2014/15.

    Foto: Benoit Peverelli

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