• 2015年04月28日
    CLOSING EVENT OF THE HYÈRES INTERNATIONAL FASHION & PHOTOGRAPHY FESTIVAL

    CLOSING EVENT OF THE HYÈRES INTERNATIONAL FASHION & PHOTOGRAPHY FESTIVAL

  • 2015年04月28日
    HYÈRES FESTIVAL FASHION WINNER ANNOUNCED

    HYÈRES FESTIVAL FASHION WINNER ANNOUNCED

    Last night at the 30th International Festival of Fashion and Photography in Hyères, the Fashion Jury exceptionally awarded not one, but two main prizes in the fashion category. German womenswear designer Annelie Schubert took the major prize - a grant of 15,000 euros, as well as a collaborative project with Chanel’s Métiers d’Art.

    A graduate of Hamburg University of Applied Science and a former intern of Haider Ackermann’s, Schubert set out to explore ‘female expression” in her collection, working with sensual fabrics to create an elegant and layered look. “I thought it was going to be a difficult decision but finally when we met this morning it was quite unanimous: we liked Annelie’s use of colours, material and her sense of femininity,” said Fashion jury president Virginie Viard.

    Dutch designer Weike Sinnige walked away with the bonus runner-up prize of 5000 euros, and she will also have the rarefied opportunity to collaborate with Lesage. “She is a real artist — she paints — and we felt that she would really benefit from an experience with Lesage,” Viard said of Sinnige, whose spirited collection, inspired by the kaleidoscope, played with perspective and colour.

    Alice Cavanagh

    Annelie Schubert womenswear collection / photo © Grégoire Alexandre

  • 2015年04月28日
    PHOTOGRAPHY PRIZE AWARDED AT HYÈRES FESTIVAL

    PHOTOGRAPHY PRIZE AWARDED AT HYÈRES FESTIVAL

    Dutch photographer Sjoerd Knibbeler was awarded first prize in photography ‑ valued at 15,000 euros - at the 30th International Festival of Fashion and Photography in Hyères last night.

    Over the past two years Knibbeler’s work has been concerned with aerodynamics, as he set out to capture the power of natural forces through his lens by manipulating the materials featured in his photographs. His surreal, yet undoctored images caught the attention and admiration of the jury early on. “His work was so interesting as he was photographing the wind, something that we cannot touch, and the way he used light was really beautiful”, said Photo jury president Eric Pfrunder after the presentation.

    As with the fashion prize this year, the jury exceptionally created an additional prize for photography to celebrate the 30th anniversary of the festival. Greek photographer Evangelia Kranioti, whose interest in anthropology led her across the high seas, documenting the travels and intimacies of sailors around the world, was awarded 10,000 euros.

    Alice Cavanagh

    Photo © Sjoerd Knibbeler, Pays-Bas / Netherlands "P. 170", The Paper Planes, 2014

  • 2015年04月27日
    KARL LAGERFELD'S MASTER CLASS AT HYÈRES FESTIVAL

    KARL LAGERFELD'S MASTER CLASS AT HYÈRES FESTIVAL

    Headlining a Master Class held in the framework of the 15th edition of the International Textile and Fashion Conferences at the Hyères Festival, Karl Lagerfeld stressed that, for the fashion designers of tomorrow, nothing is ever set in stone. “It all depends on what the person who sets out to become a creative, couturier or photographer really wants and is capable of,” he replied to fashion critic Godfrey Deeny, who moderated the event.

    Addressing the room, and the Festival Jury, Karl Lagerfeld walked the audience through his various sources of inspiration, his career and passions, dishing out tips for the rising stars spotted at the Festival. “I draw as I photograph: quickly,” he said. “No set formula exists that one can rely on throughout one’s entire career. I’m still not sure if I was made for this career, nor where my talent comes from. I do know, however, that I never stopped improving. Today I don’t waste any time bringing my visions to life.”

    For much of the class, the audience got to hear about Karl Lagerfeld’s approaches to drawing and photography. “Let’s just say that, as a couturier, I have always been interested in photography, be it film or digital… We can’t compare the two, just as it would be impossible - and pointless - to compare two life cycles,” he affirmed.

    Photo by Anne Combaz

  • 2015年04月25日
    法国耶尔国际时尚摄影节开幕式

    法国耶尔国际时尚摄影节开幕式

  • 2015年04月24日
    20世纪大师之作

    20世纪大师之作

    1932年,查尔斯·德·诺埃尔和妻子玛丽-罗尔委托建筑师罗伯特·马莱-史蒂文斯,在俯瞰耶尔城的高山之上,建造一栋“极其实用的简约建筑”。按查尔斯的说法,这栋房子里的一切,都“遵从同一原则:功能性。”

    蒙德里安、劳伦斯、里普希茨、布朗库西和贾科梅蒂纷纷带来自己的作品,茹尔丹设计了家具,盖伍莱康则担纲设计了立体主义风格的花园。这栋极致摩登的先锋派建筑不但造型清爽、结构清晰、对比明显,还留下了理性主义运动的影子。不但如此,这座豪宅还在15间卧室、配备游泳池和壁球场的基础上不断扩建,最终在1933年完工,成为一座1800平方米(19,375平方英尺)的巨厦。在这里,身心和自然和谐共处,融为一体。这座白墙环绕的梦中胜地宛若一颗珍珠,静静坐落在郁郁葱葱的草木之间,远处便是地中海和黄金群岛。在这里,德·诺埃尔夫妇邀请文人雅士前来聚会,包括达利、纪德、布雷顿、阿尔托、普朗克、里法、赫胥黎,以及当代最受人瞩目的艺术界新星。1970年玛丽-罗尔去世之后,这座别墅被耶尔市买下,经过数次翻修,如今已成为当地的艺术中心和艺术家的汇聚之地,并在今年隆重举办第30届国际时尚摄影节。

    这一盛事也同样是一个绝佳契机,来重新领略卡尔·拉格斐于1995年为此处掌镜拍摄的一系列黑白摄影作品。“永恒摩登”,“像这一瞬间般脆弱易逝”,诺埃尔别墅空无一物,只留下岁月的痕迹,但仍承载了一个世纪的灵感碰撞和艺术杰作。卡尔的镜头凝聚了这座建筑所蕴含的诗意,升华了时光的流逝,跨越了现实的局限,展现了无穷无尽、不断觉醒的丰富想象。

    撰文:Sophie Brauner
    摄影:卡尔·拉格斐

  • 2015年04月24日
    两个桀骜不驯的灵魂,<BR />一双摩登人物

    两个桀骜不驯的灵魂,
    一双摩登人物

    1930年代早期,弗朗西斯·普朗克在向玛莉-罗尔·德·诺埃尔引荐可可·香奈儿时,形容她“天资颖慧”。这个评价也同样适用于充满灵气的玛丽-罗尔,她们二人的相同之处还远不止于此。

    两人的童年往事都扑朔迷离,虚实难辨。香奈儿女士掩去早年悲惨的经历,逐渐发展为一代传奇。玛丽-罗尔身世显赫,从小就受到良好的教育,环境优渥但亲情淡薄,度过了孤独的童年时光。父亲是富有的德国银行家,母亲是法国贵族,祖上可追溯至臭名昭著的萨德侯爵。她那性格古怪的外祖母谢弗涅夫人,马塞尔·普鲁斯特笔下盖尔芒特夫人的原型,对她的成长影响最深。

    和嘉柏丽尔·香奈儿一样,玛丽-罗尔始终追随自己的艺术直觉。在她和查尔斯·德·诺埃尔婚后所居住的巴黎市区内一幢华丽花园宅邸里,藏有诸多早期绘画大师的绝世杰作,包括德拉克罗瓦、伦勃朗、戈雅和鲁本斯等等。夫妻二人委托设计巨匠让-米歇尔·法兰克重新设计室内格局——整个空间返璞归真,如修道院一般空寂,珍品家具和诸如稻草和羊皮纸镶板等独特材质,以纯粹的形态呈现,点缀其间。这种极简的室内设计与玛丽-罗尔的衣着风格完美契合。(据米尼耶神甫说,她总共拥有40种不同款式的香奈儿套装,大多为黑色)。

    香奈儿女士作为设计师,并不仅仅追求优雅精致,更钟爱和谐的线条和令活动更加自如的简约设计。她匠心独运,将外观与功能巧妙地融合在一起,对摩登作出了新的定义。

    玛丽-罗尔与可可·香奈儿一样桀骜不驯,永不妥协,以叛逆是尚,绝不从众。1932年,为了“对抗经济萧条危机”,她佩戴一件璀璨闪耀的羽毛胸针登上《Vogue》杂志的封面,率先支持香奈儿极为大胆的钻石珠宝设计。

    香奈儿女士为时尚带来划时代的变革;而玛丽-罗尔作为缪斯和赞助人,之后又以画家和作家的身份,为艺术的发展作出了不可磨灭的贡献。她与丈夫共同保存了一系列杰出画家的佳作,包括布拉克、毕加索、巴尔蒂斯、蒙德里安、贾科梅蒂和曼·雷等。夫妻二人还通过主持巴黎艺文界名流聚会,不断慧眼发掘新人,最著名的成就莫过于发掘了一批超现实主义画家。他们还资助电影作品,扶持作曲家,包括马科维奇、普朗克和斯特拉文斯基……

    而香奈儿女士扶持艺术事业的做法则较为低调,例如她安排斯特拉文斯基和他的家人,在自己的加尔什别墅暂时栖身,但事迹不为人所知。早在1924年,她就为迪亚吉列夫导演、毕加索绘制舞台布幕的芭蕾舞剧《蓝色列车》、雷诺阿导演的一部电影以及许多其他作品设计戏服。她与当代的许多诗人和达利、尼金斯基和维斯康提等先锋派艺术家相交甚笃。香奈儿女士还是考克多的亲密挚友,而玛丽-罗尔对考克多毕生心怀爱慕……玛丽-罗尔的浪漫情愫无药可救;可可·香奈儿虽有过好几段如歌如诉的爱情,但终未成眷属,孤独一生。她也曾吐露心声,说没有爱情,女人什么都不是。

    撰文:Sophie Brauner
    Marie-Laure de Noailles © Henri Martinie / Roger-Viollet

    [更多]
  • 2015年04月23日

    第30届法国耶尔国际时尚摄影节

    第30届法国耶尔国际时尚摄影节邀请香奈儿作为特邀嘉宾品牌,卡尔·拉格斐担任艺术总监;香奈儿创意工作室总监Virginie Viard担任时装评审团主席,而香奈儿精品部形象总监Eric Pfrunder则担任摄影评审团主席。

    此次2015年度法国耶尔国际时尚摄影节于4月23日周四隆重揭幕,为期5天。届时将举办一系列别开生面的国际大会、辩论会、研讨会、圆桌会议以及展览,向业内专家、专业学生和广大民众开放。

    目前,时装与摄影两个板块的优胜者评选正在如火如荼地进行当中,由业内顶尖专家组成的评审团分别甄选出十位时装设计师和摄影师参与评选。本年度获奖者名单宣布暨颁奖典礼将于4月26日周日举行。

  • 2015年04月15日
    GIRL CHANEL手袋<BR />SAM@巴黎

    GIRL CHANEL手袋
    SAM@巴黎

    2015春夏高级成衣系列“Girl Chanel”手袋。

  • 2015年04月07日

    春夏眼镜系列广告大片

    Kristen Stewart成为最新眼镜系列广告大片代言人,由卡尔·拉格斐亲自掌镜拍摄。

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